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The Akita Ranga school and the cultural context in Edo Japan
Imahashi Riko explores paintings by the Akita Ranga school—or more accurately, a single work by Odano Naotake (1749–80)—in her new volume. The painting, entitled Shinobazu Pond (Shinobazu no ike-zu), has exceptional qualities including its large size, fusion of disparate elements, and mesmerizing clarity. In the eighteenth century, the neighborhood of Shinobazu Pond in Ueno flourished as a center of scholarship and was acclaimed for [End Page 151] its lotus-filled pond. Strangely, however, Naotake’s pond is lotus-free. Other peculiarities appear in Naotake’s painting, such as an off-balance placement of a pot of peonies in the right foreground and a haunting lucidity in the rendering of the plant’s blossoms. The painting is somehow “imbued with a dreamlike tranquility,” as Imahashi states (p. 24). Imahashi reconstructs the layered depths of Shinobazu Pond, as she places it in the milieu of educated eighteenth-century Edoites.
Ketersediaan
| 1617.172 | 306.095 2 RIK a | Tersedia |
Informasi Detail
- Judul Seri
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- No. Panggil
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306.095 2 RIK a
- Penerbit
- Tokyo : International House of Japan., 2016
- Deskripsi Fisik
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xv, 434 hal.: ill.; 23 cm.
- Bahasa
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Indonesia
- ISBN/ISSN
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978-4-924971-41-7
- Klasifikasi
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306.095 2
- Tipe Isi
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- Tipe Media
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- Tipe Pembawa
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- Edisi
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- Subjek
- Info Detail Spesifik
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- Pernyataan Tanggungjawab
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RIKO, Imahashi
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Tidak tersedia versi lain
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